Doping in your direct marketing

lance_armstrong_tour_de_france_2009_-_stage_17

Not this kind of doping.

Our brains are miracles of electricity and chemistry.  Each electrical and chemical reaction is a way of communicating from one part to the other.  And there’s hardly a more fun chemical in the brain that dopamine.

Dopamine is what’s called a neurotransmitter.  It is released by nerve cells (neurons) to send messages to other nerve cells.  And it moves through special dopamine pathways.  One of these is called the mesolimbic pathway, aka the reward pathway.  There will not be a test on this.

Think of the classic rat-pushes-a-level-and-gets-a-reward-experiment.  That’s what dopamine does.  Do good.  Get a dopamine reward.  Most addictive drugs work through dopamine and most anti-addictive medicinal treatments repress dopamine.  In fact, there are case studies, including this very readable one from The Atlantic, of people who are addicted to giving because of their neural pathways.

Dopamine dulls pain, arouses, causes pleasure, and dilates the eyes.  I mention this last one so I can give you a good tip for reading people by way of Sherlock.

tumblr_n3qys4fdr51qbskx5o1_500

Sherlock: because I took your pulse: elevated; your pupils: dilated. I imagine John Watson thinks love’s a mystery to me, but the chemistry is incredibly simple and very destructive.

As a result, it’s a pretty nice thing to have on your side in nonprofit direct marketing.  The “warm glow” of giving is largely a dopamine reward (mediated by oxytocin, which we’ll talk about tomorrow).  When researchers look at fMRI data, they found that when someone gives to charity, the nucleus accumbens (which is usually associated with unexpected rewards) lights up and produces dopamine.

So how do you build dopamine and how do you use it?

The first is obvious and we’ve talked about it ad nauseum: thank your donors well.  Part of why dopamine is addictive is that the brain tends to anticipate it.  And you don’t want to deny someone that hit of dopamine for their good deeds.  Conversely, an unexpected reward can have the same impact that unexpected flowers or a gift can have for a spouse or loved one.  No, not the wondering what you did wrong one — the good one.

Beyond that, it’s something you can stimulate in your copy and storytelling.

Seeing other people happy releases dopamine and makes the person who observes them happy.  While I’m on the record not to sugarcoat our issues, when you can show the after and the impact you are having, you can do so in a way that makes your donor happy as a result.

Affirmations.  On online buttons, you’ll notice a lot of conversion buttons are now starting with “Yes,” or its excitable cousin “Yes!”.  This is because a positive affirmation can release dopamine and excite the person seeing it.  We become the rat pushing the lever.

Exclusivity can also give a dopamine hit.  We’ve talked about its power in persuasion; dopamine is part of why.  Here there’s a double shot; once when you know things that no one else knows and once when you share it with them.

And finally, use lists.  Our brains love to complete things, thanks to the reward it gives itself every time.  Bullet points tend to work better than comma’ed lists with each one making a nice mental check every time it’s read.

So that’s dopamine in a nutshell (or a skull).  Please check back tomorrow to learn about oxytocin, or sign up for our newsletter and never miss a post!

Doping in your direct marketing

This is your brain on direct mail

Readers of a certain age (namely, around my own) will recognize the 80’s era PSA that taught a generation of Americans about proper egg cookery.

But the truth is that your brain is awash in drugs constantly.  They just happen to be of your body’s own making.

So this week, I want to take a look at how people’s brains receive our direct marketing communications and how it should influence our efforts.

Three caveats:

  1. I am not a brain scientist.
  2. Neuromarketing is still in its infancy.  It’s difficult to tell whether what is lighting up on an fMRI is a cause or an effect.  To a large extent, we are still black boxes, where we can observe what’s going in and coming out, but only guess at what happens in the middle.  There’s also a great deal of hucksterism in the community because of the newness.
  3. If #2 were wrong, I wouldn’t necessarily know it because of #1.

Now, if you are still with me, I’d like to talk about how the brain processes tangible marketing (e.g., mail) versus non-tangible marketing (e.g., online).

Temple University (at the request of the Postal Service Inspector General, so not the purest possible study) looked at how the brain processes mail versus online

They showed subjects a mix of 40 postcards and emails and monitored them through eye tracking (for visual attention), fingertip sensors for heart rate, breathing, sweating (for emotional engagement), and MRIs (for brain activity).  

Online efforts were distinctly better in one thing: focusing attention.  On the other hand, print won in terms of emotional interaction/arousal, engagement time, desirability for the things in the ads and recall.  The two means tied for memory recall and information processing.

Specifically, the researchers found greater activity in the hippocampus and areas around the hippocampus for physical ads than in digital ads.  The hippocampus is associated with memory formation and retrieval, meaning that participants could remember a greater context for their paper-based stimuli.

If you are a fan of Sherlock, as I am, or the book Hannibal (eh…) you know about the memory technique known as a mind palace — associating things you want to remember with physical locations.  Part of the reason this works is that tangible things are, well, more tangible and easier to retrieve out of memory.

As a result, a week later, subjects showed greater emotional memory for print.

This was replicated in a UK study and a Canadian studySpecifically, with print, more processing took place in the right retrosplenial cortex, which I had never heard of before this paper.  Apparently, this is involved in processing emotional cues and helping them get into memory.

So, in our first foray into brain science, we can say that while people may focus more on online images (in part because it is a more structured environment; life is rarely so structured outside of a computer screen), they forge greater bonds with mail.

The one caveat to this is that mail versus print ads misses the interactivity that is possible online.  It didn’t test video, or click-throughs, or quizzes: just static online ads.  So, just as we shouldn’t trumpet the death of direct mail, neither should we dismiss online as mere ephemera.  There’s more to learn here.

And we’ll do some of that tomorrow with the role of dopamine in nonprofit direct marketing.

This is your brain on direct mail

Learning from political fundraising: the eyes have it

This week, we’ll look at some of the lessons we in the nonprofit world can learn from those in the political world.

Wait!  Don’t leave!

I know I said that I would be counterprogramming to the blogs that turn out 7 Vital Marketing Lessons from This Year’s Oscar Winners topical content.  But:

  1. There are actually lessons that we can take from the political realm.  If you haven’t read The Victory Lab or Rick Perry and His Eggheads, I strongly recommend them as valuable insights into another industry that relies on donations for its livelihood.
  2. Political fundraising has to be crazy fast and efficient.  Imagine if in November, your nonprofit was going to either win or lose: accomplish all of your goals or cease to exist.  When the stakes are that high, there are distilled lessons that we can benefit from.
  3. It’s only going to get worse and I can’t stomach putting this topic off until December.

So how about this: I will not mention the current (as of this writing) Republican frontrunner despite the potential clickbait. Instead, I’ll try for a nonpartisan look at some items that may be helpful for we nonprofits.

The first one is relatively brief.  In looking at campaign Web sites, take a look at what the candidates’ eyes are doing.  Here’s Hillary Clinton’s Web site — an older version:

hillary-clinton-2016-campaign-website-600

 

And here’s Bernie Sanders.

berniesmall

What do you notice in common?

The eyes of the candidate are looking at what they want you look at.  This isn’t true in all or even most candidates’ cases: many of them are looking right at the camera or staring off into the future.

But those are missed opportunities.  Studies show that humans automatically look a few discrete places: where arrows or people point* and where other people’s eyes are looking (one such study is here )

Kissmetrics shows a great heat map of where people look when a photo is looking at the camera. 

7-baby-face

Because the baby is looking at the user, users get locked up in the baby’s eyes with no indication of where they should next look.

Now, take a look where people look when the baby is looking at the text:

8-baby-face-eye-tracking

Here’s another good example from QuickSprout.  Looking at the camera:

sunsilk-uncued

And looking toward the product:

sunsilk-cued
So, when Hillary or Bernie are looking at where you put in your email address, guess what the next action is they want you do to.

Now, take a look at your home page.  Where are your pictures looking?  And where do you want people to look?

 

* Where arrows point: what, you thought this from Clinton’s site is a coincidence?

arrows

Learning from political fundraising: the eyes have it

Imagery in nonprofit storytelling

Picture the last time you watched a football game.  Think about a big hit that someone took to the head, whether it was a smashing tackle or someone getting upended and landing on his head.

What did you, as a spectator do?

Chances are pretty good that you cringed.  More specifically, you likely closed your eyes, turned your head from the screen, lifted your shoulders, and grimaced as if you were in pain.

And you were in pain, even though you were not in pain.  Your brain created the pain for you.  So you averted and closed off your gaze, so you wouldn’t feel any more of it.  You lifted your shoulders so as to protect your own neck.

Or, as a master of the written word put it:

vlcsnap-2011-10-26-10h44m46s196

“Tell me one last thing,” said Harry. “Is this real? Or has this been happening inside my head?”

Dumbledore beamed at him, and his voice sounded loud and strong in Harry’s ears even though the bright mist was descending again, obscuring his figure.

“Of course it is happening inside your head, Harry, but why on earth should that mean that it is not real?”

There is a robust debate ongoing as to whether this happening because of so-called mirror neurons or as a result of human empathy.  A good reflection on this debate is available here.   

However you come out on this debate, suffice it to say that seeing something happen to someone else can trigger the same feeling in ourselves.  But does it translate to the written word?

Absolutely.  Whoever said a picture is worth a thousand words may have simultaneously underestimated the worth of both the right picture and the right words.

Consider Hemingway’s famous challenge to write a six-word story: “For sale: baby shoes. Never worn.”  I’ve lost a child and those six words remind me vividly and painfully of a nursery.  We painted it to look like the blue of the sky, with a bright yellow sun.  And while I, with my complete lack of art skill, resigned myself to painting clouds and blades of grass (the ugly ones that didn’t taper properly at the top), my wife painted ladybugs and flowers and butterflies to welcome our child.

But the crib remained empty.  And while we did end up having two wonderful children, we moved from that house and used a different crib.

My point here is that words can create images.  Hopefully, you pictured our nursery a little bit above.  I used (or rather, tried to use) some of the same techniques you would see in a movie:

  • Setting the stage: a nursery.
  • Using colors to evoke an image.  Without using the Pantone or paint chip name, you have in your mind the picture of the sky and of the color or the sun.
  • Showing action: it isn’t just a static room; now it’s being painted.
  • Zooming in: on blades of grass.
  • Panning around to capture detail.

Chances are you are picturing it entirely differently from how it was (heck, because of the vagaries of memory, so probably am I).  That doesn’t matter as much as look as you are seeing a scene.

Studies of the brain find that when we read a story written this way, our brain processes it as if it is a visual and motor experience. 

And we can invite people to trigger imagery.  Good verbs like “imagine,” “remember,” and “picture in your mind” give a person the trigger to help them start to think in this way.  You still have to capture them with story and detail, but you are starting well.

Imagery in nonprofit storytelling