Oxytocin and direct marketing: beyond the cuddle chemical

 

Oxytocin is a hormone produced in the hypothalamus, which is responsible for a number of major autonomic (or unconscious, like breathing) functions of the body.

Oxytocin is sometimes called the cuddle chemical or the hug hormone.  It’s a natural classification.  Oxytocin is released naturally as a part of childbirth and is associated with maternal behavior and social attachment.  

However, it goes much beyond this.  More recent research has shown it’s important in the formation of trust.  People dosed with oxytocin are more willing to trust their money with strangers.  Some researchers think this is because they are also more able to read facial expressions and emotional states.

On the dark side of oxytocin, while it promotes trust with in-group members, it also increases distrust of foreigners and outgroup members (study here)

More to the point of nonprofit direct marketing, when people empathize with a story, oxytocin levels are on average 47% higher. (study here)  (More so among women than men, which is perhaps why women are more likely to empathize and give charitably).

This translates to additional giving.  Subjects who received oxytocin gave to 57% more causes and 56% more money after exposure to PSAs (study).

But that’s nothing compared with what is possible.  In the same study, they looked at what happened when people experienced increases in both oxytocin and a fast-acting arousal hormone called adrenocorticotropic hormone (which people abbreviate ACTH for obvious reasons).  When the PSA increased both of these, giving increases 261%.

This means that the story has to both arouse empathy (releasing oxytocin) and draw the person in (stimulating ACTH).

So how do you do that with your narrative?

First thing is to take what your high school English teacher taught you about the five-act structure of plays, where you have rising action, leading to a climax, then a falling action that leads to a resolution.  Remember that?  (You may even remember the term Freytag’s pyramid, in which case, good job, Hermione.)

Now crumple it into a ball, throw it away, and try to forget it ever existed.  As we’ve said before, all pyramids are lies.  Even in the two-minute video that Zak used to test his subjects, attention tended to drift until tension raised again.  This is far less Freytag’s pyramid and far more the latest Avengers movie, where there has to be a tension set piece every so often to hold interest.

The goals are emotional resonance and attention holding.  When you have a narrative that does that, you release oxytocin and ACTH.  And when you do that, you get donations.

We’ve talked a lot about ways to do this, imagery and specific details being particular favorites.  However, when it boils down to it, take a look at your story.  If there are any paragraphs, sentences or words (especially adverbs!) that don’t help one identify with the people in the story or hold the attention of the reader/listener/watcher, cut it.

It’s brutal, but you need to hold attention and create empathy with it in order to succeed.

Tomorrow, we’ll get out of chemistry and into how people make decisions.  

Oxytocin and direct marketing: beyond the cuddle chemical

Imagery in nonprofit storytelling

Picture the last time you watched a football game.  Think about a big hit that someone took to the head, whether it was a smashing tackle or someone getting upended and landing on his head.

What did you, as a spectator do?

Chances are pretty good that you cringed.  More specifically, you likely closed your eyes, turned your head from the screen, lifted your shoulders, and grimaced as if you were in pain.

And you were in pain, even though you were not in pain.  Your brain created the pain for you.  So you averted and closed off your gaze, so you wouldn’t feel any more of it.  You lifted your shoulders so as to protect your own neck.

Or, as a master of the written word put it:

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“Tell me one last thing,” said Harry. “Is this real? Or has this been happening inside my head?”

Dumbledore beamed at him, and his voice sounded loud and strong in Harry’s ears even though the bright mist was descending again, obscuring his figure.

“Of course it is happening inside your head, Harry, but why on earth should that mean that it is not real?”

There is a robust debate ongoing as to whether this happening because of so-called mirror neurons or as a result of human empathy.  A good reflection on this debate is available here.   

However you come out on this debate, suffice it to say that seeing something happen to someone else can trigger the same feeling in ourselves.  But does it translate to the written word?

Absolutely.  Whoever said a picture is worth a thousand words may have simultaneously underestimated the worth of both the right picture and the right words.

Consider Hemingway’s famous challenge to write a six-word story: “For sale: baby shoes. Never worn.”  I’ve lost a child and those six words remind me vividly and painfully of a nursery.  We painted it to look like the blue of the sky, with a bright yellow sun.  And while I, with my complete lack of art skill, resigned myself to painting clouds and blades of grass (the ugly ones that didn’t taper properly at the top), my wife painted ladybugs and flowers and butterflies to welcome our child.

But the crib remained empty.  And while we did end up having two wonderful children, we moved from that house and used a different crib.

My point here is that words can create images.  Hopefully, you pictured our nursery a little bit above.  I used (or rather, tried to use) some of the same techniques you would see in a movie:

  • Setting the stage: a nursery.
  • Using colors to evoke an image.  Without using the Pantone or paint chip name, you have in your mind the picture of the sky and of the color or the sun.
  • Showing action: it isn’t just a static room; now it’s being painted.
  • Zooming in: on blades of grass.
  • Panning around to capture detail.

Chances are you are picturing it entirely differently from how it was (heck, because of the vagaries of memory, so probably am I).  That doesn’t matter as much as look as you are seeing a scene.

Studies of the brain find that when we read a story written this way, our brain processes it as if it is a visual and motor experience. 

And we can invite people to trigger imagery.  Good verbs like “imagine,” “remember,” and “picture in your mind” give a person the trigger to help them start to think in this way.  You still have to capture them with story and detail, but you are starting well.

Imagery in nonprofit storytelling